Where to Start with Steve Allrich
Steve Allrich is an American painter and screenwriter who trained at the American Academy of Art in Chicago under Eugene Hall, painting figures and portraits from life. His career shifted toward plein air painting, and his instructional book on oil painting has sold over 50,000 copies since 1996. He brings a structured, lesson-based approach to teaching that strips away pretension and focuses on building real skill from scratch. Outside painting, he works as a screenwriter, with credits including the 2020 film Honest Thief.
Start here
Oil Painting for the Serious Beginner
Steve Allrich · 144 pages · 1996 · Easy
Themes: oil technique, color mixing, composition, plein air, still life, brushwork, painting from life
The most straightforward path into oil painting in print. 144 pages, no fluff, just the fundamentals taught by a working painter who knows exactly what beginners need to hear first.
Why Start Here
Allrich has only published one instructional book, and he made it count. Where other oil painting guides assume some prior experience or bury practical advice under art theory, this one starts from zero. It covers materials, color mixing, composition, and brush technique in a structured sequence of lessons that build on each other. Each chapter earns its place.
The book has sold over 50,000 copies since 1996, which tells you something about its staying power. It is not trendy or flashy. It is a reliable, well-organized introduction written by someone who studied under Eugene Hall at the American Academy of Art and spent years painting outdoors. Allrich writes like he teaches: clearly, directly, and with genuine respect for the reader’s time. If you want a single book that takes you from knowing nothing to painting confidently, this is the one.
What to Expect
A compact 144-page paperback organized into progressive lessons. Allrich walks you through materials and setup first, then moves into drawing, value, color theory, and composition. The tone is encouraging but honest. He does not promise shortcuts, and he does not overcomplicate things. Illustrations and demonstrations support every concept, making it easy to follow along with brush in hand. It is the kind of book that makes you want to start painting the same day you read it.